Tuesday, December 3, 2013

Celtic Traders, Chieftains, and Warring Raiders




There are no final truths. The scientific mind does not so much provide the right answers as ask the right question —Claude Lèvi-Strauss.
 
Introduction
 
This is part 1 of the Ancient Celtic Mystique, titled as such because any knowledge of the Celtic people is primarily derived by indirect accounts: Roman and Greek writers, archaeological finds, and their mythology. The epic historical fantasy, SPIRIT WARRIOR CHRONICLES [First unpublished novel, APOLLO’S RAVEN; Second unpublished novel, RAVEN'S FIRE], is set in Celtic Britain 24 AD—a time when powerful Celtic tribes in continental Europe were under direct Roman control, whereas Celtic dynasties loyal to Rome had been established in southeast Britain. The political unrest between British tribal rulers provides the backdrop to the tale about the heroine, Catrin—a spirit warrior destined to meet the great-grandson of Marc Antony and to become queen of her Celtic kingdom.
Sumitt Coastal White Cliffs Britain
Summit White Cliffs Britain
To understand the Celtic Mystique, one must understand the history of  a powerful Celtic people who dominated Europe for almost 500 years. The following series of posts will delve into Celtic history, culture, and religious beliefs.

The Celtic Mystique
 
The Celtic Mystique conjures images of magic, warriors, castles, and animal spirit based on the rich mythology of a people who at one time spread from the British Isles across continental Europe to Russia and Turkey.  The history of the Celts has been derived, in part, from their symbolic lore. An example is the ‘Arthurian’ myth of a king with a predestined envoy. Unfortunately, the Celts have also been saddled with the image of being barbarians who were civilized by Rome on which the Western civilization was based.
Yet the Celts dominated Europe for over 500 years, and there is no doubt their presence had a profound impact on European culture.

Who were the Celts?

In 5th Century BC, the Greek writer Ephoros described the Celts as one of the four great barbarian peoples, together with the Scythians, the Persians, and the Libyans, who lived beyond the confines of the Classical  Mediterranean world. They were called Keltoi or Galatae by the Greeks and either Celtae or Galli by the Romans. Their homeland was known to lie north of the Alps.
Written and archaeological evidence suggests by 500 BC the Celts occupied lands stretching from the Iberian Peninsula to the upper Danube.  It is unclear how the Celts viewed themselves outside their tribal communities, but they were a distinct racial group who had similar material culture, social structure, art, religious beliefs, and language. Beginning in 450 BC, these people moved across Europe and became the Celtic tribes in Britain. Both archaeological finds and later legends strongly suggest British Celts had a strong contact with Greece. Many European personal names are similarly derive from ancient Celtic worlds.

Limited Sources of Evidence

The Celts left few written records about their world except for funerary inscriptions. Knowledge of their world comes from a variety of indirect sources: accounts of Greek and Roman writers; the later vernacular literature of surviving Celtic societies in the post-Roman period; and artifacts from archaeological digs. One of the primary shortcomings of historical accounts was the bias Greeks and Romans held of Celts as wild and savage people. Vernacular sources were mostly written in the Middle Ages in the Christian environment and were solely concerned with myths and legends of Wales and Ireland.
Dying Gladiator
Statue of Dying Celtic Gaul

Historical Chonology

The historical chronology of Celtic history can be roughly divided into two periods:
  • Halstatt period (750 – 450 BC), also known as the Age of the Princes
  • La Tène period (450 BC – AD 100)

Halstatt Period

The earliest distinctive Celtic culture appeared in 6th Century BC toward the end of the European Iron Age. The Halstatt Period, named after an excavation site in Austria, was noted for the large number of rich burials and hill-fort settlements of ‘princedoms’ scattered across an area near the headwaters of several major rivers such as the Danube, the Rhine, and the Saône. The period became known as the Age of Princes because of the elaborate and rich burial sites of local chieftains or local aristocracy which have been excavated.

La Tène Period

At the beginning of the 5th Century BC, the Halstatt princedoms were replaced by wealthy warrior societies further north, which extended from northeastern France to Bohemia. The material culture and artistic style called La Tène—named after the excavation site in Switzerland where it was first identified—became synonymous with the Celts. The artifacts during the La Tène period (450 BC - 100 BC) indicated that not only was Central Europe populated with Celts, but the people in these regions were wealthy, had an aristocracy, and high standard of living. With these cultural conditions in place, the people evolved into an appreciation of art and developed a spiritual side to their nature.
Replica Celtic Helmet Britain
British Celtic Helmet
 
To be Continued
The next series of posts will delve deeper into the Celtic history, warrior culture, and spiritual beliefs.
 
References:
Steve Blamires, Magic of the Celtic Otherworld:  Printed 2009, Llewellyn Publications, Woodbury, MN.
Stephen Allen, Celtic Warrior—300 BC - AD 100: 2001 Osprey Publishing, New York.
Claude Lèvi-Strauss, The Raw and the Cooked: Mythologiques (1990), 7.

Wednesday, August 28, 2013

Apollo's Raven: Linnea Tanner Heroine Mythological Adventure

Apollo's Raven: Linnea Tanner Heroine Mythological Adventure:   Introduction Linnea Tanner is a native of Colorado where she attended the University of Colorado and earned her BA and MS in chemi...

Apollo and Coronis; White Raven; Association with Healing

Apollo and Coronis

In Greek mythology, there is a tale of  Apollo who fell in love with Coronis, a Thessalian princess of unsurpassed beauty. He commanded his divine messenger, the white  raven, to guard Coronis. Though Coronis was pregnant with Apollo's child, she strangely did not care for her divine lover, but gave in to the advances of a mere mortal, Prince Ischys. She did not consider that Apollo, The God of Truth, could never be himself deceived.
Lovers Swedish Royal Palace
Apollo and Human Lover, Swedish Royal Palace
 
Apollo ordered the raven to guard Coronis. When the raven brought news to Apollo of his lover’s infidelity, he became enraged that his faithful messenger had not pecked out the eyes of the prince. Apollo flung a curse so furious the raven's pure white feathers were scorched black. Apollo killed Ischys and sent his sister, Artemis, to slay Coronis with her deadly arrows (other accounts indicate Apollo killed Coronis himself).
 
In spite of his ruthlessness, Apollo felt a pang of grief as he watched Coronis be placed on the pyre and the flames roar up. At the last moment, he removed his son from the womb. Apollo gave his newborn son, Asclepius, to the wise centaur, Chiron, who taught him the art of healing herbs. Thereafter, Apollo became associated with healing through his son, Asclepius, the god of medicine and healing.
 
Coronis was set among the stars as Corvus, the crow (korônê in Greek).
Mythological Raven
Apollo's Raven
 
Rome's Association of Apollo with Healing
The Romans closely associated Apollo with healing. The Roman historian Livy recounts a plague in 433 BCE when the Roman people vowed to build a temple to Apollo and performed rituals to quell the wrath of the gods so the pestilence would not spread. Two years later, the Romans dedicated a temple to Apollo who they attributed for ending the epidemic. Up to the time of Emperor Augustus, the temple of Apollo Medicus was the only temple of Apollo in Rome. In 212 BCE the Romans instituted games in his honor, Ludi Apollinares. After the Roman conquest of Gaul, archaeological research shows inscriptions at Gallic healing sanctuaries combining “Apollo’ with the native names such as Apollo Belenus or Apollo Grannus.
Apollo
Statue of Apollo in Marseilles France
 
References:
Fritz Graff, Apollo; Printed 2009 by Routledge, New York.
Edith Hamilton, Mythology; Printed 2013 by Back Bay Books, New York.

Thursday, August 22, 2013

Linnea Tanner Heroine Mythological Adventure


 

Introduction

Linnea Tanner is a native of Colorado where she attended the University of Colorado and earned her BA and MS in chemistry. After working in the pharmaceutical industry, she is now an aspiring writer of historical fantasy, romance, and adventure based on her lifelong passion for Ancient Rome, Celtic Britain, and mythology. 

 

Life Venture of Linnea Tanner

As a child, Linnea was an avid reader of Greek/Roman/Nordic mythology which opened up a new world of gods/goddesses, heroes, and mythological adventure. Using this fantastical world as a base, Linnea imagined herself as a heroine warrior on a perilous odyssey to overcome nearly insurmountable obstacles. Other characters joined Linnea on this journey, including Romans, who taught her about courage, love, duty, loyalty, and sacrifice. Yet most schools taught history and mythology in the biased viewpoint of male conquerors; women were invisible in the background.
 
Linnea's childhood characters stayed with her as she began her life venture: marriage to her soul mate, birth of two children, education, and professional career. However, she rediscovered the wonder of the goddess mythology from ancient civilizations where women and men worked in partnership (“The Chalice & the Blade” by Riane Eisler). She was inspired by accounts of Celtic women warriors and rulers, and extensive research and expeditions to the UK and France. In the Celtic warrior society, the rights and status of women far exceeded those of the patriarchal societies of Greece and Rome. During her travels to the UK, Linnea's passion for writing was ignited after she researched the historical account of the Celtic queen Boudica, whose rebellion almost resulted in the withdrawal of all Roman forces from Britain in 60 AD.

 

Vision of Celtic Spirit Chronicles

Linnea Tanner has taken the next step in her next life’s adventure of becoming a writer. She envisions completing the Spirit Warrior Chronicles, an epic historical fantasy set in 1st Century Celtic Britain prior to the Roman invasion in 43 AD. The story is about the heroine, Catrin—a Celtic spirit warrior destined to meet the great grandson of Marc Antony (Marcellus) and to become a warrior queen in her tribal kingdom.
The first two unpublished novels of the Spirit Warrior Chronicles are:
  • APOLLO'S RAVEN is set in 24 AD when Catrin begins a perilous odyssey that starts in Celtic Britain (modern day Kent) where she meets Marcellus; ventures into Gaul (modern day France) where she becomes a gladiatrix; and ends in Rome where she reunites and falls in love with Marcellus.
  • RAVEN'S FIRE continues the odyssey where Catrin must take on the dark powers of her raven spirit to fulfill her destiny to become warrior queen. The draft of this manuscript is near completion.

 

Purpose of Apollo's Raven Blog

Linnea has begun this blog to share and to survey the opinions of others regarding ancient Celtic and Roman culture and mythology. In addition, she will share some of her research findings and photographs of sites in Britain (ancient Roman Britannia) and France (ancient Roman Gaul) where the heroine, Catrin, travels in her odyssey.
 
See website: